User Tools
Sidebar
mft:start
Table of Contents
Micro Four Thirds System
Camera Bodies
Native M4/3 Lenses
| Name | Make | ↑ Focal Length | Max Aperture | Type | Format | Condition |
|---|---|---|---|---|---|---|
| Olympus 60mm Macro | Olympus | 60mm | f/2.8 | Macro | Micro Four Thirds | Good |
| Olympus 40-150mm | Olympus | 40-150mm | f/4-5.6 | Zoom | Micro Four Thirds | Good |
| TTArtisan 35mm f/1.4 | TTArtisan | 35mm | f/1.4 | Prime | Micro Four Thirds | Good |
| Olympus 17mm f/2.8 | Olympus | 17mm | f/2.8 | Prime | Micro Four Thirds | Good |
| Panasonic 14-42mm | Panasonic | 14-42mm | f/3.5-5.6 | Zoom | Micro Four Thirds | Good |
| Olympus 14-42mm | Olympus | 14-42mm | f/3.5-5.6 | Zoom | Micro Four Thirds | Good |
Four Thirds Lenses (via adapter)
| Name | Make | ↑ Focal Length | Max Aperture | Type | Condition |
|---|---|---|---|---|---|
| Olympus 17.5-45mm f/3.5-5.6 | Olympus | 17.5-45mm | f/3.5-5.6 | Zoom | Good |
M4/3 Body Adapters
| Name | Make | Type | Body Mount | ↑ Lens Mount | Condition |
|---|---|---|---|---|---|
| Pentax K to M4/3 | Fotga | Passive | M4/3 | Pentax K | Good |
| Minolta MD to M4/3 | Fotga | Passive | M4/3 | Minolta MD | Good |
| M42 to M4/3 | K&F Concept | Passive | M4/3 | M42 | Good |
| M42 to M4/3 Adapter | Generic | Passive | M4/3 | M42 | Good |
| L39/LTM to M4/3 | Generic | Passive | M4/3 | L39/LTM | Good |
| Konica AR to M4/3 | Generic | Passive | M4/3 | Konica AR | Good |
| Four Thirds to M4/3 | Generic | Passive | M4/3 | Four Thirds | Good |
| C-Mount to M4/3 | Generic | Passive | M4/3 | C-Mount | Good |
Probably the next most used camera - I have a few good lenses for this - native and adapted.
The Olympus OM-D E-M1 Mark III is a professional Micro Four Thirds body and one of the finest cameras Olympus produced before the brand transitioned to OM System.
It features class-leading in-body image stabilisation, excellent weather sealing, and a superb electronic viewfinder. The M4/3 sensor combined with the crop factor makes it ideal for telephoto and macro work, and the IBIS system pairs beautifully with adapted vintage lenses.
I am still learning and experimenting with all the features it offers - Live ND etc.
Whilst I am becoming used to composing with the screen, as an old vintage camera user, brought up with the viewfinder mode of operation, I have not used this as much.
It can be quite slow when not using auto. Strange, but the results are good.
I am not sure it is a keeper, but it is a thing of beauty to look at - even sitting on a shelf. That probably means it is (a keeper).
mft/start.txt · Last modified: by 127.0.0.1
Except where otherwise noted, content on this wiki is licensed under the following license: CC Attribution-Share Alike 4.0 International
